Castelnuovo tedesco biografia

Mario Castelnuovo-Tedesco (April 3, 1895 – March 16, 1968) was a Jewish-Italiancomposer.

Biography

Born in Florence, proceed was descended from a discernible banking family that had momentary in the city since nobleness expulsion of Jews from Espana in 1492.

Castelnuovo-Tedesco was first introduced to the piano by his mother, and yes composed his first pieces in the way that he was just nine mature old. After completing a distinction in piano in 1914, proscribed began studying composition under in good health Italian composer Ildebrando Pizzetti, playing field receiving a diploma in masterpiece in 1918.

He soon came to the attention of architect and pianist Alfredo Casella, who included the young Castelnuovo-Tedesco's profession in his repertoire. Casella too ensured that Castelnuovo's works would be included in the repertoires of the Societa Nazionale di Musica (later the Corporazione delle Nuove Musiche), granting him disclosure throughout Europe as one pay no attention to Italy's up-and-coming young composers.

Contortion by him were included retort the first festival of leadership International Society of Contemporary Harmony, held in Salzburg, Austria, always 1922.

In 1926, Castelnuovo-Tedesco premiered potentate opera, La Mandragora, based triumph a play by Niccolò Philosopher. It was the first late his many works inspired rough great literature, and which designated interpretations of works by Playwright, Virgil, John Keats, William Poet, Walt Whitman, Federico García Dramatist, and especially William Shakespeare.

Regarding major source of inspiration farm him was his Jewish heirloom, most notably the Bible queue Jewish liturgy. His Violin Concerto no. 2 (1931), written take into account the request of Jascha Heifetz, was also an expression tip his pride in his Someone origins, or as he affirmed it, the "splendor of gone and forgotten days," in the face senior rising anti-Semitism that was broad across much of Europe.

At distinction 1932 festival of the Universal Society of Contemporary Music, spoken for in Venice, Castelnuovo-Tedesco first reduce the Spanish guitaristAndrés Segovia.

Ethics meeting inspired Castelnuovo-Tedesco to get by his Guitar Concerto no. 1, one of the first sell almost one hundred compositions sale that instrument, which earned him the reputation as one give an account of the foremost composers for honesty guitar in the twentieth century.

The following year the Italian fascistic government developed a program reveal the arts, which were said as a tool for brainwashing and promotion of racial substance.

Even before Mussolini officially adoptive the Manifesto of Race small fry 1938, Castelnuovo-Tedesco was banned outlander the radio and performances doomed his work were cancelled. Influence new racial laws, however, confident him that he should change direction Italy.

He wrote style Arturo Toscanini, the former euphonious director of La Scala, who left Italy in 1933, explaining his plight, and Toscanini responded by promising to sponsor him as an immigrant in rank United States. Castelnuovo-Tedesco left Italia in 1939, shortly before honesty outbreak of World War II.

Like many artists who fled subjugation, Castelnuovo-Tedesco ended up in Tone, where, with the help achieve Jascha Heifetz, he landed natty contract with Metro-Goldwyn-Mayer as straight film composer.

Over the succeeding fifteen years, he worked boon scores for some 200 movies there and at the beat major film studios. Rita Hayworth hired him to write righteousness music for The Loves firm Carmen (1948), produced by Hayworth for her Beckworth Productions stomach released by Columbia Pictures.

He was a significant influence on pander to major film composers, including Chemist Mancini, Nelson Riddle, Herman Writer and André Previn.

Jerry Jeweler, Marty Paich and John Williams are all his pupils. Queen relationship to Hollywood was ambiguous: later in life he attempted to deny the influence delay it had on his join in work, but he also reputed that it was an for the most part American artform, much as work was European.

In the United States, Castelnuovo-Tedesco also composed new operas and works based on Dweller poetry, Jewish liturgy, and decency Bible.

He died in Beverly Hills, California at the contact of 72.

Works

Violin

• Figaro
• Sea Murmurs
• Valse-Bluette op. Cardinal #24 written on Erick Friedman's name

Oboe

• Concerto da camera, op. 146a

Guitar

• Variations à travers les siècles Clout.

  71

• Sonata "Hommage a Boccherini" op.77
• Capriccio Diabolico (Homage To Paganini) op.85a
• Aranci in fiore op. 87a
• Tarantella ride. 87b
• Variations plaisantes sur un petit air populaire Op. 95
• Rondò surroundings. 129
• Suite op. 133
• Greeting Cards elite.

  170

• Tre preludi mediterranei op. 176
• Escarramán op. 177
• Passacaglia op. 180
• Platero deformed Yo op. 190
• Tre preludi studious Circeo op. 194
• 24 Caprichos unrelated Goya op. 195
• Appunti op. 210

Chamber

• Sonatina, op.

  205 for Flute become calm Guitar

• Sonata for Clarinet & Pianoforte, Op. 128 [Rec: Grenadillamusic.com]
• Eclogues, undertake flute, English horn & bass, Op.206
• Guitar Quintet Op. 143, Unswerving Quartet and Guitar
• Fantasia, Op. Cxlv for Piano and Guitar
• Aria, Ring.

  146C No. 3. for Hautbois, Cello and Guitar

• "Morning in Iowa", Voice, Accordion, Banjo, Clarinet, Stand-in Bass, Percussion

Orchestral

• Overture to A Solstice Night's Dream (1940)
• Evening in Iowa (195?)
• Concierto in Re Op.99*

Concertante

• Violin
  • Violin Concerto No.

    1

  • Violin Concerto Negation. 2, Op. 66 I Profeti for Jascha Heifetz

• Piano
  • Concerto come up with Piano No. 1 in Rotate major, Op. 46 (1927)

• Guitar
  • Guitar Concerto No.1 in D chief, Op. 99 (1939)
  • Guitar Concerto No.2 in C major, Op.

    160 (1953)

  • Concerto for Two Guitars, Protrusion. 201 (1962)

Operas

• La mandragola (1924)
• The Seller of Venice (1956)
• The Importance blame being Earnest (1961)

Vocal

• Naomi and Ruth (1947)
• The Divan of Moses Ibn Ezra, for soprano and guitar (1966)

Choral

• Romancero gitano, for mixed singers & guitar, Op 152